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I didn’t want to write lyrics at the time because I thought, “I’m not in the right frame of mind to write lyrics. But for people who lived on their own, I was thinking, “Oh, this must be absolute hell.”īut, as an artist, it gave me a lot of time to experiment and work in a lot of detail. Jan is here with me, so I’ve always got somebody here. I felt for people who are living on their own, having to go through that. Something that we crave is contact with people and looking people in the eye and being able to hug them-and all that stuff was suddenly taken away, and you realize how devastating. But then when we realized it was going to carry on and there was going to be more of it, the isolation and the lack of contact with other people-I really missed the interactions. HOWARD JONES At the beginning, it was kind of a novelty, wasn’t it? I felt like, “Oh, this is something different that we’ve never experienced before. How did you handle that exceptionally difficult period? Photo by Martin ShawĤ8 HILLS “I Believe In You,” from Dialogue, was the first song you wrote during the early days of lockdown. We need to live and cooperate with others and have dialogues and find out about our similarities and our differences. Then Dialogue because we were hardwired to talk to each other we really can’t survive on our own. So that’s a process of personal transformation. Then with Transform, I thought we have to think about transforming ourselves and our behavior so that we respect others and the Earth. HOWARD JONES Starting with Engage, which was the first of the four, I just wanted to set myself a challenge over a decade to do that because I was very motivated by the question: How do you make yourself get the most out of life whilst helping the people around you to do the same? Well, first of all, we have to engage we have to decide that we are going to not be bystanders, but people of action. Why did you decide to group the albums together in this way?
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You think to yourself, “Oh, can I remember how to do this? And how’s my confidence doing?” But what I’m hoping is when I get out there, it’ll all come back to me and it’ll all fall into place.Ĥ8 HILLS “ The Dialogue Tour” is, of course, in support of your new Dialogue album, which is the third in a quadrilogy that kicked off with 2015’s Engage and 2019’s critically acclaimed Transform.
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HOWARD JONES It’s a little bit nerve-wracking because it’s been such a long time since I’ve done the big shows with the full band. Long realizing the value of coming together in perfect harmony, Jones envisions his “Dialogue Tour,” featuring special guest, Midge Ure (Thin Lizzy, Visage, Ultravox), as “a celebration of being together, enjoying the power of live music again.” The spun-up “ Who You Really Want To Be” is an admonition to always aspire to one’s highest self and the effervescent “Celebrate It Together” promotes the power of community. The haunting “ My One True Love”-a sort of sequel to Jones’ 1984 hit, “What Is Love?”-reminds listeners to lead with their hearts on their sleeves. 9, the LP’s soaring lead single, “ I Believe in You,” offers encouragement to those struggling in isolation. “No matter how bad things get, like the song says-if we decide, things can get better,” Jones told 48 Hills.Īlmost 40 years after the synth pioneer encouraged listeners to break the “mental chains” of cynicism with debut “New Song,” he remains on the bright side of the tracks.Įven his eight-song, electronic-based lockdown album, Dialogue, is full of hope. When times get tough, the music of Howard Jones provides a much-needed reminder that “Things Can Only Get Better.”